San Diego Polymer Clay Guild
Class Album-Mike Buesseler
Metallic Class
April 17 and 18, 1999 (2 day workshop) $130.00
Metallics" (day 1 clays, day 2 clays and powders combined). 
(the Saturday only option is $65)

click to see larger image

April 18, 1999

By Pam Pierce

It never ceases to amaze me that after so many years in this medium, I can still be astounded at the simplicity that's out there. I have been using polymer clay for close to nine years. Being a rather "non-inventive, non-initiating type of individual", I very much appreciate the people that can 'see something in the clay' before the rest of us and then, miracle of miracles, want to share it with the rest of us. 

That's where Mike comes in. He has an insight that shines brighter than the summer sun in Alaska. Of course, most of you know that he has moved to Seattle, but Alaska’s sun shines longer and all that… 

Mike's teaching style is more of a sharing style. When we were "just not quite getting it" he would demonstrate and explain it one more time ... again. He is patient, articulate, talented, personable, genuine, and an all around great guy. The perfect person to take a class from.


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The current technique Mike demonstrated was something he’ been playing with for almost two years. The Premo clay from Clay Factory of Escondido has a series of clays that are known as "metallics" or "pearlized". These are the basis for Mike's class. 

They seem to be the only ones out there that work for this technique. The other brands don't have the life, the shine, and the ability that the Premo clay has. The pearlized clays have a mica flake in them that reflect light at different angles depending on how the light hits them and how they lie in the clay. With Mike's instruction, we were able to make the clay dance in the light and we came back for more, over and over again! The amount of info and new ideas was close to overwhelming but I'd be hard put not to take another class for a week long not just two days. Like Mike said there's a lot of info to cover in so little time. 

A lot of the techniques Mike is using for this current experience in clay is using one color of clay and getting dimension and light refraction and reflection to give off more than one color in the end result. This means less waste clay and lots of fun. The joy of discovery was not wasted on this classroom of bedazzled clay artists. Carving into the cane to reveal an unexpected surprise was the hit of the day, more than once! 

There are some teachers that have a gift of teaching. There are some that have the gift of personality. There are some that have the gift of new ideas, previously unexplored territory. In Mike Buessler, you have them all. The recommendation from this writer is, "Don't ever pass up a chance to sit under Mike Buessler's tutelage, even if you have to travel five hours to get there." Mike's guidance and support during the class and after was indispensable. We stayed late for one last technique that spans all human ability. Mike taught us how to do the tumbling cubes’ in clay- a trick of the mind's eye and light; too much fun! 


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I haven't been so motivated and challenged and excited to experiment with clay in a long time. For that, "Thanks Mike! I, for one, look forward to the next time." 

One final note. We stayed longer than our expected ending time; no problem. Howard Segal of the Clay Factory had no worries about us staying past the appointed hour. That really freed us up to learn that last technique that still has me baffled. I look forward to enjoying many future classes at the Clay Factory. 

Click to see larger images of Mike's work

 
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